Original Woodcut, numbered and signed. Completely framed with acid-free cardboard with spacer and museum glass, dustproof finish.

Hyeon-Uk Cha’s print Mountains fascinates with its radical reduction to black and white, which creates an intense, almost meditative visual effect. The work, which captures the imposing presence of mountains, plays masterfully with extreme contrasts. This reduction enhances the drama of the depiction and at the same time creates space for interpretation.

The deep black areas make the mountains appear monumental and impenetrable, while the bright white areas create a powerful dynamic. The contrast emphasizes the hard edges and structure of the mountains, making their physical presence tangible. At the same time, the empty white areas lend the graphic a mystical atmosphere that makes the absence just as significant as the visible.

Mountains unfolds a tension between abstraction and reality: while the formal language is greatly reduced, the depiction of the mountains is clearly recognizable. This balancing act invites the viewer to question their own perception and interpretation. Cha’s work appeals not only to the eyes, but also to the imagination, as it filters out the essence of the landscape while leaving room for emotional resonance.

The printing technique plays a crucial role in the impact of Mountains. The precision and intensity of the contrasts indicate a deep understanding of the technical and artistic possibilities of printmaking. At the same time, the raw, uncompromising aesthetic suggests an engagement with the power of nature and the human perception of its sublimity.

Chas Mountains is not only a depiction of landscape, but also a meditation on light, shadow, form and emptiness. It is a work that conveys a universal and timeless message about the majesty of nature with its reduced but powerful visual language.