recto
bottom centered in graphite by the artist’s own hand referred to as:
“Ackermann 1974”

The work “Poles and Structur” by Max Ackermann is a paper-based artwork characterized by abstract forms and a balanced use of color. The image depicts two opposing poles, positioned on the left and right sides of the composition. The left pole is rendered in a soft blue, while the right one appears in a similarly subdued red. The choice of color is muted, creating a calm and almost meditative atmosphere.

Between these two poles stretches a field of numerous small dots. These dots appear light, flickering, and evoke associations with atomic particles or energetic fields. They are distributed irregularly, creating a sense of movement and dynamism. The dots seem interconnected and at the same time form a link between the two poles.

The background is filled with a muted yellow tone, which unifies the entire composition and lends a warm overall impression. Despite the limited palette, the combination of yellow, red, and blue produces a harmonious color scheme.

The composition is clearly structured: two colored forms or bodies define the extremes, while the center is shaped by smaller, mobile elements. There are few concrete lines or defined shapes, giving the work an open, non-narrative character.

Overall, the piece appears calm, balanced, and at the same time energetic. It conveys the impression of a field of tension in which movement, connection, and equilibrium play central roles.